Director: Lutz Dammbeck
Duration: 121 min
Language: German
 Ultimately                  stunning in its revelations, Lutz Dammbeck’s THE NET explores                  the incredibly complex backstory of Ted Kaczynski, the infamous                  Unabomber. This exquisitely crafted inquiry into the rationale                  of this mythic figure situates him within a late 20th Century                  web of technology – a system that he grew to oppose. A marvelously                  subversive approach to the history of the Internet, this insightful                  documentary combines speculative travelogue and investigative                  journalism to trace contrasting countercultural responses to the                  cybernetic revolution.
Ultimately                  stunning in its revelations, Lutz Dammbeck’s THE NET explores                  the incredibly complex backstory of Ted Kaczynski, the infamous                  Unabomber. This exquisitely crafted inquiry into the rationale                  of this mythic figure situates him within a late 20th Century                  web of technology – a system that he grew to oppose. A marvelously                  subversive approach to the history of the Internet, this insightful                  documentary combines speculative travelogue and investigative                  journalism to trace contrasting countercultural responses to the                  cybernetic revolution.For those who resist these intrusive systems of technological control, the Unabomber has come to symbolize an ultimate figure of Refusal. For those that embrace it, as did and do the early champions of media art like Marshall McLuhan, Nam June Paik, and Stewart Brand, the promises of worldwide networking and instantaneous communication outweighed the perils. Dammbeck’s conceptual quest links these multiple nodes of cultural and political thought like the Internet itself. Circling through themes of utopianism, anarchism, terrorism, CIA, LSD, Tim Leary, Ken Kesey and the Merry Pranksters, THE NET exposes a hidden matrix of revolutionary advances, coincidences, and conspiracies.
"Dammbeck not only uncovers hidden background stories but also links the unlinked" - Der Tagespiegel
"The right film at the right time" - Frankfurter Allgemeine Zeitung
"Dammbeck regards systems of art as systems of power; and systems of power as systems of art" - Die Tageszeitung
